For me, I just hope she goes out and starts to live. She has that conversation earlier with the Colonel about how she wished she had lived more, and we see her let her hair down and make this decision to leave him. What do you think Patti envisions for herself as an independent woman, should it happen? But Theo saying those words is, for her, like saying, “Oh, this gives me a few options.” I don’t think it ever really occurred to her what those words really meant, because she was so concentrated on her daughters that she forgot to concentrate on herself to a certain extent. She is learning as she goes that divorce and going back to being single after raising two daughters is just unheard of at this time, and incredibly dangerous for her reputation. That bit of information is a lifeboat for her. But in the penultimate episode, her future son-in-law Theo tells her that, as a mother of a duchess, she would pretty much be untouchable in British society. Patti shouldered so much for her family, including the blame for her husband’s indiscretions. I started to realize that she was a little bit more of a fish out of water, and I played to that side of her rather than the aggressive, competitive side. She is new to this wealth and New York City she’s only been in this society for about five years. But as we started to unfold the story, it made it seem like she was still figuring out herself a little bit too. I think she started as quite competitive and judgmental of others, and fighting a little bit more aggressively in the social scene. George as one way, but as the rewrites came in and we started to discover her a little more, she changed a little bit for me. Originally when I read the scripts, I saw Patti St. What did you know about her before you started filming? George goes on quite the journey over the course of the season, from married maven of New York City society to freshly single mother of a duchess in England. But Hendricks spoke to Variety about the potential fallout from Nan’s shocking wedding and how playing the revolutionary-in-her-own-time Joan Holloway on “Mad Men” prepared her to take on the 1870s. The series has not yet been renewed for a second season by Apple. “But what I think she and we, as the audience, realize is that she is willing to take that risk.” “Even if she is going to hold her head high and make this decision for her happiness, that doesn’t mean she is about to walk into a world without judgment and shame, and whispering behind her back,” Hendricks says. Left blindsided by one daughter’s marriage, and the other’s sudden disappearance, Hendricks tells Variety that Patti’s season-long journey toward independence ends on a rather shattered note. But the dowager duchess quickly cuts Patti down to size, revealing she secretly convinced Nan to marry Theo anyway, because, as a duchess, she will be better equipped to protect her sister from an angry lord. Oblivious to the rescue plan and the danger her other daughter Jinny is in, Patti interprets Nan’s delayed arrival at the altar as that change of heart, and breaks the news to Theo’s mother (Amelia Bullmore).
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